10.0 波斯语 · 2024 · 伊朗,意大利 · 剧情片
格什菲·法拉哈尼,扎拉·阿米尔·阿布拉希米,米娜·卡瓦尼
As the Islamic Republic took power, morality squads staged arbitrary raids in Tehran and as fundamentalists seized hold of the universities, the women in Nafisi’s living room, whose rights had been systematically removed, risked everything to find a safe space to remove their veils and speak their minds. Despite the grave danger they are in, they find hope as their stories inte...
7.0 英语 · 2023 · 其它 · 剧情片
扎拉·阿米尔·阿布拉希米,莫让·阿里亚,利亚·珀赛尔,吉莉安·阮,奥萨马·萨米,Meaghan Fahy,露辛达·阿姆斯特朗·霍尔,Eloise Gentle,Rina Mousavi,Aurnab As-Saber
想在异地开展新生,无形枷锁却缠住脚跟。一家三口移居澳大利亚,来自伊朗的母亲带着六岁女儿寻求妇女庇护中心援助,因丈夫虐待变本加厉,更担心女儿会被他强行带回伊朗。斩断不良婚姻,拒绝头巾,剪掉烦恼丝,派对中起舞,但父权阴影挥之不去,不安总是如影随形。努拉妮雅萨里首部长片,取材童年经历,把自己母亲的挣扎与渴望娓娓道来。《圣诛》影后莎阿米自导自演《柔道场的风波》之余,在本片演出更是挥洒自如。辛丹斯电影节最受观众欢迎奖。
8.0 法语,英语,意大利语 · 2022 · 法国 · 动作片
德尼·梅诺谢,扎拉·阿米尔·阿布拉希米,维克图瓦尔·杜布瓦,奥斯卡·寇普,Luca,Terracciano,Rapha?l,Ferret,Roxane,Barazzuol,Valentine,Atlan,Guillaume,Pottier,雷米·佩德维拉,朱莉·穆利耶,Lo?c,Corbery,朱莉-安妮·罗斯,巴斯蒂安·乌盖托
Written by Guillaume Renusson and Clément Peny, the story (which won the Audience Award for Best Screenplay for a First Feature Film at Angers’ European First Film Festival) revolves around Samuel who, in the aftermath of a recent tragedy, leaves to get away from it all in his chalet in the Italian Alps, a place of passage for migrants looking to cross the border between Italy ...
5.0 其它 · 2023 · 法国 · 纪录片
扎拉·阿米尔·阿布拉希米
Mehran Tamadon explores what it was like being interrogated by the Iranian regime by asking prisoners to reconstruct their experiences. Alongside his companion film Where God Is Not, My Worst Enemy finds Tamadon shifting focus from the interrogated to the interrogator. The filmmaker sought an individual who had been interrogated by Iranian authorities in order to draw on their experiences to play an interrogator. The role finally fell to the Cannes-winning lead actor of Holy Spider, Zar Amir Ebrahimi. Together in an anonymous room, with Tamadon stripped to his underwear, they reconstruct the interrogation process, which gradually becomes an examination of the nature of power and coercion. The resulting film is intense and, at times, uncomfortable. And as it progresses, My Worst Enemy becomes an exploration of cinema’s relationship with its audience, questioning whether there is a limit to what it can show.